本文为原发表在知乎上的回答(https://www.zhihu.com/question/20576225/answer/17887736),因建议修改,故移至博客中来
一部可以打满分的电视剧。
首播后一年半,我又重温了一遍。很多人因为它被大陆禁播而抱着好奇的心态去看,并试图从中看出些想要的内容,那么这些人无疑是失望的。
从内容上来说,天与地的剧情还是比较简单的,以家明之死为线索,讲述了三男一女面对真相的生活态度。在我看来,这部剧更像是在讲三个男子面对中年危机时的选择。生活、社会、现实的残酷,无情的打击、摧残着三个男主角。随着剧情的展开,家明死因的真相已经不再重要了,重要的是,三个人发现自己已经被现实活生生的拍在墙上并砸扁时,如何面对、抉择、承担。
我不喜欢的一种解读是:家明之死代表八平方事件,三人对待这次事件不同的反应映射着三地对当年事件的印记:彻底遗忘、暴戾现实、行善逃避。我更倾向于认为:家明不是他们三人的好友,而是他们三人曾经纯真的理想,亲手杀死自己的理想带来的残酷是无法抹掉的印记;Yan也不是他们三人共同迷恋的女性,而是实现他们曾经纯真理想的人。他们面对Yan时的惭愧,不单单是亲手扼杀自己的理想,而是惭愧自己为何无法坚持自己的理想。
“ The city is dying !”则是在告诉观众,扼杀理想的人不仅是三位男主角,也是都市生活下的每一个人。之所以是“ dying ”而不是“ dead ”,则是因为还有人保持着一份纯真。
从拍摄手法来看,这应该是TVB近年来少有的制作精良的剧集了。
一、多场长镜头的戏,是在电影里才能看到的。
二、无对白场景,一定程度上拖慢了剧情的发展,却有助于表现角色的心态。包括:三人在Yan伏案之时叠纸飞机;Yan多次独坐窗前,品饮红酒——很有村上春树小说的意境。
三、背景音乐的应用,片中大量音乐,虽说Beyond在这里有些过度消费,但很多国外摇滚作品的使用则开阔了观众的视野。黄贯中创作的片头曲狂放、爆裂,片尾曲则恰到好处点出全剧的主题。
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